A pause in the beat, and the sorrowful “Oohs” we heard earlier, follow the first chorus-you almost feel as though you’re floating here (like the cover art). The choruses are backed by synthetic organs that drip with gravity. There’s a slight echo behind nearly every word he sings, creating a sort of dissonance that reflects the discontent he’s feeling with the relationship. Here I pass the day in a most peculiar wayĪs the song starts out, the synths mix with Andrew Wyatt’s voice singing some sad “Ooh”s. So, I pray, I pray that it won’t feel the same, andĭon’t think that I can’t see it in your eyesĭarling yeah, we both knew it from the start “In our home all day I waited for the change But it approaches it with such lyrical sincerity, and injects so much emotion into the instrumentals, that the song soars above other singles, let alone other break up songs. “Some Minds” explores a subject that’s practically overused in music: the end of a relationship. Andrew Wyatt is the frontman of Miike Snow, a talented music group producing techno indie hits like “Animal” and “Cult Logic.” Flume’s method is typically to feature a singer, surrounding their voice, usually electronically altered, with synthetic bass, drums and an assortment of other electric sounds. But as with any genre, there are musicians who use the style to create exquisite artistic pieces, and house music, which emerged from the disco scene in the 1980’s, has had a while to generate such talent.įlume, the stage name of Australian Harley Edward Streten, has been a breakout musician ever since winning a competition at record company Future Classics. Some of the recently emerging stuff in the EDM scene is clearly vapid, relying entirely on making strange sounds to stake out some musical territory and attract a following. Among friends and Internet communities, there’s often a lot of hate for electronic music. His talent and style clearly distinguishes him as a musical genius, and his genre of choice is House music. This kid is literally a few months older than me (23) and he’s one of Australia’s most accomplished music producers. The most recent song I’ve come across that I’ve obsessed over like this is “Some Minds” by Flume, featuring Andrew Wyatt of Miike Snow.įirst some background-I hadn’t listened to hardly any of Flume before this song, though I’m thoroughly shocked by his story. The singer has reached a point where they refuse to tolerate the pain and mistreatment in the relationship, deciding to break free and start anew.As I’m sure you all have experienced, every so often a song comes along that I listen to over and over again until I know every little detail, and even after a period of repeating it numerous times, it stays fresh, while other songs need a break. Overall, the lyrics of "Quits" convey a sense of empowerment and liberation. They express their determination to move on, stating, "I don't want you back." However, they realize that their efforts were not reciprocated, leading them to finally let go. In the second verse, the singer acknowledges that they have tried to make the relationship work by giving respect and staying loyal. The line, "She always gets the best of me, I lose my mind," highlights their vulnerability and the power their partner holds over them. They feel hurt and betrayed by their partner's actions, which have caused them stress and made them question their own sanity. Throughout the song, the singer reflects on the emotional toll the relationship has taken on them. The chorus, "Fuck that shit, I'm calling quits," represents their decision to end the relationship and move on. The singer expresses deep frustration and anger towards their partner for leading them on and then leaving them alone. The lyrics to Flume and Reo Cragun's song "Quits" depict a relationship that has reached its breaking point. I hate to start fights but I'm about to blow one time Whole damn time we was loving undercover yeah I hate to start fights but I'm about to blow She always gets the best of me I lose my mind Oh how that killed me inside (it did, it did) Whole damn time we was loving undercover yeah (we were) Let's call it quits, call it quits (yeah, yeah)
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